Recommended Reading


de Bruin, L.R., Burnard, P. & Davis, S. (eds.). 2018. Creativities in Arts Education, Research and Practice. Leiden, The Netherlands: Brill | Sense.

Corey, J. 2016. Audio Production and Critical Listening: Technical Ear Training. Taylor & Francis.

Densmore, F. 1970. The American Indians and Their Music. New York: Johnson Reprint Corp.

Hill, N., 1883–1970 1944. Think and Grow Rich: Teaching, for the First Time, the Famous Andrew Carnegie Formula for Money-Making. Meriden, CT: The Ralston Society.

Hinkle-Turner, E. 2006. Women Composers and Music Technology in the United States: Crossing the Line. Ashgate Publishing, Ltd.

Laird, P.W. 2006. Pull: Networking and Success Since Benjamin Franklin. Cambridge, MA: Harvard University Press.

Massy, S. & Johnson, C. 2016. Recording Unhinged: Creative and Unconventional Music Recording Techniques. Hal Leonard.

Moulton, D. 1995. Dave Moulton’s Golden Ears: The Revolutionary CD-Based Audio Eartraining Course for Musicians, Engineers and Producers. KIQ Productions.

Phillips, W. 2014. A Composer’s Guide to Game Music. MIT Press.

Rodgers, T. 2010. Pink Noises. Vancouver: Duke University Press.

Roginska, A. & Geluso, P. eds. 2017. Immersive Sound: The Art and Science of Binaural and Multi-Channel Audio. Taylor & Francis.

Williams, M. 2004. Microphone Arrays for Stereo and Multichannel Sound Recordings: Designing Microphone Arrays for Stereo; The Variable M. Editrice Il Rostro.


Brown, L.M. & Gilligan, C. 1992. Meeting at the Crossroads: Women’s Psychology and Girls’ Development. Cambridge, MA: Harvard University Press.

Prior, B., Barra, E. & Kramer, S. (2019). Women in the US music industry: Obstacles and opportunities. Berklee Institute for Creative Entrepreneurship.

Pogson, M.A., Whittaker, D.M., Gehring, G.A., Cox, T.J., Hughes, R.J. & Angus, J.A.S. 2010. Diffusive Benefits of Cylinders in Front of a Schroeder Diffuser. The Journal of the Acoustical Society of America, 128(3), 1149–1154.

Hughes, R.J., Angus, J.A., Cox, T.J., Umnova, O., Gehring, G.A., Pogson, M. & Whittaker, D.M. 2010. Volumetric Diffusers: Pseudorandom Cylinder Arrays on a Periodic Lattice. The Journal of the Acoustical Society of America, 128(5), 2847–2856.


Back issues of Billboard Magazine. https://www.americanradiohistory.com/Billboard-Magazine.htm

Back issues of Starlog Magazine (one of Khris Brown’s favorites). https://archive.org/details/starlogmagazine

Ear Training with Sound Gym (offers a free introduction, then paid membership). https://www.soundgym.co/

Galindo, J. 2019. Mastering for Vinyl: Tips for Digital Mastering Engineers. Mastering [Online]. Available: https://www.izotope.com/en/blog/mastering/mastering-for-vinyl-tips-for-digital-mastering-engineers.html

Podcasts from Sound Women. https://audioboom.com/channel/soundwomen

The Recording Academy’s Producers & Engineers Wing. 2004. Recommendations For Surround Sound Production. https://www.grammy.com/sites/com/files/surroundrecommendations.pdf

She Shreds Magazine, for Female Guitarists and Bass Players. https://sheshredsmag.com

Smith, S. et al. 2018. Inclusion in the Recording Studio? Gender and Race/Ethnicity of Artists, Songwriters & Producers across 600 Popular Songs from 2012–2017. Annenberg Inclusion Initiative. USC Annenberg. https://assets.uscannenberg.org/docs/inclusion-in-the-recording-studio.pdf

The Story of Tom Tom Magazine, a Site for Female Drummers. https://tomtommag.com/2019/05/the-history-of-tom-tom-magazine/

Women in Rock Project: Dedicated to Telling the Story of Women Who Played Rock and Roll in the 1950s and 1960s. https://www.womeninrockproject.org


June Millington. Play like a Girl. https://www.youtube.com/watch?v=gevsWISf04g

Linda Briceño. Solitude. https://www.youtube.com/watch?v=30wECQ9cqg8